Tag Archives: Openingnight

SF Symphony night to remember

Photo credits Drew Altizer and Elisabeth Thieriot

Opening night chairs Rachael Bowman and Lisa Lacob

From Schiaparelli and Oscar De la Renta gowns to music that left an impression long after it ended. That was the vibe of the opening night at the SF Symphony.

Michael Tilson Thomas 25th and final season with SF Symphony was underscored with his own words as to what music means to him and why he had so much joy creating the programs for the Symphony seasons. Here they are: “I love music not such for how it feels when it is played but what happens inside of us when it stops”.

With words like this, it was clear that over the years Micheal Tilson Thomas was intending to create an emotional experience that would change who we are and how we see the world from before and after the performance.

The opening night was even an inspiration for gifting jewellery for this couple. That very morning a surprise this twp pins arrived and now they are adoring the lapels of the glamorous tuxedos.

Each of the pins has significance to them and memories of tonight’s performance will go on with this couple forever inside their private world.

The music written by Gordon Getty has most fluid harmonies we rarely hear from today’s composers. The music was supporting full chorus of every skill from bass to soprano pronouncing love for Shannondon daughter. Given the recent marriage of Peter and Shannon, followed by arrival of a beautiful girl from their union, brought a joy to hear how the love fils the home of Getty.

Tributes were given to long-time supporters of the SF Symphony since 1974 Thomas took his position here, such as Golda Hass Goldman and her son Dough was present to hear it.

The remarkable moment took place when Michael for people in the audience to stand up that attended his first performance and it was nice group, then he asked for first comers to the SF Symphony to stand up and most of the house rose up! This in my eyes is the true compliment for Michael Tilson Thomas as he managed by his choices of music and artistic presentation to attract the next generation of symphony lovers and supporters. Accomplishment most wishes to achieve in their lifetime.

The younger generation was glamorous and inspired wearing blink and sequence gowns that draped well cared for body shape.

After the intermission, the co-chairs thanked all for continued support and encouraged the next generation to step in into their shoes.

Three of the composer and two local ones- Getty, Copland knew Michael Tilson Thomas personally and closing of the night went to one did not- Beethoven with Symphony No. 9

Entire performance stimulated auditory and visual senses with colour changes to match the mood of the music. This was the place to feel and remember how good we can feel under warm light with music that inspires us to be more every day.

So the new season has started and a new adventure is awaiting us all.

Here you can plan your own evening at the SF Symphony this season

www.sfsymphony.org http://sfsymphony.org


Photography by Drew Altizer



San Francisco Opera opened its 2018–19 Season with a weekend of celebratory events and performances beginning Friday, September 7 with two galas—Opera Ball 2018: ¡Viva La Noche! and the BRAVO! CLUB Opening Night Gala—and a performance of the famous operatic double bill of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci (or Cav/Pag). Opening weekend continued Saturday, September 8 with the highly-anticipated premiere of Gaetano Donizetti’s bel canto drama Roberto Devereux and on Sunday, September 9, nearly 15,000 people flocked to Golden Gate Park for the annual San Francisco Chronicle Presents Opera in the Park concert on a beautiful, 71-degree day with blue skies.

The new season of opera was formally inaugurated with the sold-out Opera Ball 2018: ¡Viva La Noche!, San Francisco Opera Guild’s opening night celebration. Opera Guild President Jane Mudge and gala co-chairs Shannon Cronan and Kathy Huber, adorned in unique pieces crafted by official jewelry sponsor Shreve & Co., welcomed the 700 attendees on a gold carpet at the Grove Street entrance of the War Memorial Opera House. Guests included civic leaders, philanthropists, captains of industry and a long list of distinguished individuals such as House Democratic Leader Nancy Pelosi, San Francisco Mayor London Breed, former San Francisco Mayor Willie Brown, former Secretary of State George Schultz and his wife Chief of Protocol for the State of California Charlotte Schultz; and musical artists John Adams, Mason Bates, Michael Tilson Thomas, soprano Carmen Giannattasio and tenor Brian Jagde. The mission behind the evening, with all proceeds benefiting the Opera’s education programs, was expressed by Mayor Breed. “Exposure to the arts is crucial for students,” she said remembering her time playing horn in the Benjamin Franklin Middle School band. “These kinds of opportunities provided by our arts organizations open up entire new worlds.”

Ball attendees, resplendent in couture gowns and evening wear that was both elegant and creative, enjoyed a cocktail reception in the foyer before processing to the tented pavilion adjacent to the Opera House for a dinner by McCalls Catering and Events, prepared by executive chef Josip Martinovic, and sponsored by Neiman Marcus. Debuting at this year’s event, Chalk Hill Estate Vineyards and Winery was the official Opera Ball wine sponsor, joining Roederer Estate as the sparkling wine sponsor. Within the pavilion, designer J. Ricccardo Benavides created an atmosphere of Italianate elegance and the distinctly Argentine flavor of the La Boca quarter of Buenos Aires, complete with the seductive sounds of live tango music.

Following dinner, guests returned to the Opera House for the Cav/Pag double bill which carried forth the theme as the two Italian works were reset in La Boca by the production’s original director and acclaimed Argentine tenor José Cura, mounted for San Francisco Opera by fellow countryman Jose Maria Condemi. Italian conductor Daniele Callegari led the San Francisco Opera Orchestra and the Cavalleria Rusticana cast of Ekaterina Semenchuk as Santuzza, Roberto Aronica as Turiddu and Dimitri Platanis in his United States debut as Alfio. Pagliacci featured Lianna Haroutounian as Nedda, Marco Berti as Canio, Platanias as Tonio and David Pershall as Silvio. The double bill was followed by more festivities in the tent, including dancing to the sounds of Pop Rocks and a milonga tango lounge where couples expressed themselves on the dance floor into the early morning hours.

San Francisco Opera’s BRAVO! Club, a dedicated and dynamic group of young professionals throughout the Bay Area, hosted their own sold-out opening night gala. BRAVO! President Shannon Eliot and gala co-chairs Xanadu Bruggers and Anjali Menon organized a festive evening that included a pre-performance reception on the outdoor loggia of the Opera House and an after party in the Green Room of the Veterans Building. The BRAVO! gala was designed by Kate Siegel Fine Events with catering provided by Paula LeDuc and a Bourbon and Rye tasting by Wright & Brown Distilling Co.

Following the Argentine-flavored staging of the verismo double bill, Gaetano Donizetti’s bel canto masterpiece Roberto Devereux opened on Saturday, September 8, in a production by Stephen Lawless which the San Francisco Chronicle hailed as a “marvel of thoughtful precision.” Italian conductor and Donizetti champion Riccardo Frizza conducted the San Francisco Opera, Chorus, and the cast led by Sondra Radvanovsky in her acclaimed portrayal as Elisabetta and three distinguished artists making role debuts: Jamie Barton as Sara, Russell Thomas in the title role and Andrew Manea as the Duke of Nottingham. Roberto Devereux features some of Donizetti’s most dramatic and challenging music and is the culmination of the composer’s fascination with Tudor England. Renowned for her portrayal of Elizabeth I, Radvanovsky impressed the opening-night audience with her “extravagant vocal majesty and theatrical intelligence” (Chronicle), earning a thunderous response after her first aria. Roberto Devereux continues with five more performances through September 27.

The annual San Francisco Chronicle Presents Opera in the Park concert on Sunday, September 9, was presented in Robin Williams Meadow and featured artists from the Company’s 2018 Fall Season performing selections with the San Francisco Opera Orchestra, including mezzo-soprano Ekaterina Semenchuk, soprano Lianna Haroutounian, tenor Marco Berti and baritone Dimitri Platanias from the Cav/Pag double bill; soprano Carmen Giannattasio and tenor Brian Jagde from the cast of the upcoming new production of Giacomo Puccini’s Tosca, along with sopranos Sarah Cambidge and Toni Marie Palmertree, mezzo-soprano Ashley Dixon, tenor Pene Pati and bass-baritone Christian Pursell. This was Giannattasio’s first appearance with San Francisco Opera.

Conductors Daniele CallegariRiccardo Frizza and Leo Hussain took turns on the podium leading a program of works by Boito, Handel, Gluck, Verdi, Strauss, Leoncavallo, Mascagni, and Gounod. The climax of the afternoon was a pair of encores featuring the three tenors of Berti, Pati and Jagde singing the Neapolitan song “O sole mio” followed by the entire group of soloists singing the traditional Opera in the Park closer, “Libiamo” from Verdi’s La Traviata. KDFC host Dianne NicoliniSan Francisco Chronicle columnist Leah Garchik and San Francisco Parks Alliance CEO Drew Becher gave opening remarks and San Francisco Opera General Director Matthew Shilvock served as master of ceremonies for the concert. The 2018 Opera in the Park concert was dedicated to the memory of David Wiegand, former San Francisco Chronicle A  ssistant Managing Editor and devoted champion for the arts in San Francisco.

San Francisco Opera’s 2018 Fall Season repertory includes the double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, Donizetti’s Roberto Devereux, Puccini’s Tosca, Strauss’ Arabella and the west coast premiere of Jake Heggie’s It’s a Wonderful Life, which is based, in part, on the beloved Frank Capra film. The Company’s 96th season continues in the summer of 2019 with a trio of thrilling and diverse works: Bizet’s Carmen, Handel’s Orlando and Dvořák’s Rusalka.

For tickets, visit sfopera.com, call (415) 864-3330 or visit the San Francisco Opera Box Office at 301 Van Ness Avenue, San Francisco.